The best political graphic novels

In researching my graphic novel, I read many comics on slavery.

This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.

Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.

The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.

I grew up in a politically active family but had never read The Communist Manifesto. Martin Rowson's adaption blew me away. 

The book opens with an amazing series of spreads; in bold black and white and blood-splatted red, he charts the development of human history from the serfdom of early civilisations through the Middle Ages, up to the slave trade, the age of revolutions and the Industrial Revolution that ripped workers away from life in the fields and into factory labour and then on. 

From this, Marx and Engels begin their walk through the rest of the book, announcing, "A spectre is haunting Europe, the spectre of Communism."

Rowson’s dense and beautiful artwork makes demands on the reader; in its multi-layered depths of meaning, it’s a phenomenal achievement.  

Joe Saccos’ work has had such an impression on me.

In 1991-1992, Sacco spent two months in the occupied territories, collecting stories for this masterpiece of journalism and comics. He was breaking new ground; Comics Journalism as a form did not really exist before this book.

On the ground, Sacco found that as a cartoonist, he could delve deeper into the experiences of the Palestinians he interviewed; all knew their identities were safe as the book would be drawn, with no identifying photos, no names. Their stories and pain pour forth. 

Looking back on this publication thirty years later, the situation has become far, far worse for Palestinians. This book is an excellent primer to understand the atrocities of the present and the context of their past.

Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials. 

Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK. 

Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.

I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project. 

The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages. 

The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational. 

The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."

The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.